From Radiant City to Mega City One, the Architects’ Journal selects the greatest illustrated urban spaces
From Hell’s London
The East End of Jack the Ripper’s London was a filthy, blackened, riotous place and Eddie Campbell’s artwork in From Hell captures the mood perfectly. It is among the most startling black and white comic book artwork you’ll find in print.
From Hell is quite a bit more than a pulpy slasher comic. Alan Moore’s script uses the Ripper murders as a device to unpick wider narratives centred on the social structures and secret histories of a vast imperial city on the cusp of modernity.
Strongly influenced by the psycho geographic musings of Ian Sinclair, much of From Hell dwells upon the mental impact cities exert upon their inhabitants. In particular, one chapter takes the reader on a tour of Hawskmoor’s London, each of the architect’s buildings rendered in a scratchy black and white manner that terrifies and delights in equal measure - much like the buildings themselves.