The Southbank Centre has submitted updated plans for Feilden Clegg Bradley Studios (FCBS) redevelopment of its Brutalist 28,000m² Festival Wing
New plans have now finally been submitted to Lambeth Council following the Centre’s decision in July to pause and reconsider the original FCBS scheme following criticism from both Cabe and the neighbouring National Theatre.
After the hiatus a consultation was launched resulting in a number of significant changes to the Thames-side attraction.
Changes to the redevelopment
- Moving the end of the glass ‘liner building’ back from the river by three metres in order to improve views to and from the National Theatre and Westminster
- Structures supporting the glass box have been developed in order to allow the concrete bridge between Queen Elizabeth Hall and the Hayward Gallery to be retained
- A café has been added to the central foyer opening out the area next to Waterloo Bridge
- The façade of the children’s house and family-friendly area on Belvedere Street has been simplified
- Internal layouts have been further improved giving better audience access into Queen Elizabeth Hall, Purcell Room, and Hayward Gallery
- The interface with the existing BFI Southbank building beneath Waterloo Bridge has been developed creating a prominent new entrance
Jude Kelly, artistic director at Southbank Centre said: ‘Our Festival Wing plans enable us to touch millions more people with art and culture. This sort of opportunity does not come along very often and we must grab it.
When Festival Wing is complete, people young and old, and from all backgrounds will be able to watch, learn, listen, engage, enjoy and be part of the largest cultural centre in the world, right in the heart of the greatest city in the world.’
The consultation also included the detailed development of proposals for the new skatepark under Hungerford Bridge, which was submitted for planning last week.
Previous story (04.07.13)
Southbank puts brakes on FCBS overhaul
London’s Southbank Centre has agreed to pause and reconsider FCBS’s plans for the Brutalist structure following criticism from Cabe
The Southbank Centre has been granted extra time to review the £120 million scheme which will now be considered for planning permission in the autumn.
The move comes amid high-profile criticism from the neighbouring National Theatre and also from Cabe which said Feilden Clegg Bradley Studios (FCBS) needed more time to ‘create a scheme that fully lives up to the significance of the Southbank Centre’.
Other critics include the skateboarders threatened with displacement who have mounted a ‘village green’ challenge and the Twentieth Century Society which demanded ‘a fresh approach and new thinking’.
Submitted for planned in May, the 28,000m² Festival Wing project proposes a new glazed ‘liner’ building and semi-transparent sky pavilion above the Brutalist concrete complex.
The National Theatre and Twentieth Century Society have both raised concerns over the ‘wedge-like’ impact of the ‘liner’ while the skateboarders’ challenge has focused on the relocation of a skatepark to nearby Hungerford Bridge.
While the ‘liner’ and sky pavilion are supported in principle by Cabe, the design watchdog has called for both elements to be reduced in footprint and further refined.
In a statement, the Southbank Centre said: ‘[We] believe passionately in finding ways for as many different people as possible to become involved in arts and culture and to feel welcome on our site.
‘The Festival Wing project has huge potential to reach out and change the lives of thousands of local children and young people who currently have very few opportunities and to give new space to the widest range of community arts. But we also want our skateboarders, street writers and BMXers to continue to think of this as their home.
‘It is for this reason that we have asked Lambeth Council to allow us more time to review whether our scheme is achieving the very best balance of opportunities for current and future generations, and they have agreed to this.
‘Over the next few weeks we will work with our communities to find the best way of balancing everyone’s needs in demanding financial times so we can achieve this ambitious project.’
The festival Wing
Queen Elizabeth Hall
The auditorium will be refurbished with the width of the stage expanded to create wing space with less impact on sightlines. Artistic and technical facilities will be upgraded along with back of house and disability access. New access will be provided to central foyer.
Auditorium and back of house will be refurbished to improved stage access. technical facilities and disability access are to be upgraded. A new entrance will create access from the central foyer.
Galleries to be refurbishing with improved access through spaces to enable free exhibitions. The iconic pyramid roof will be replicated to improve lighting and be made watertight. Access to the central foyer and a new secure loading bay will be created.
New Central Foyer
A glazed atrium between the Queen Elizabeth Hall and Purcell Room and Hayward Gallery is planned as an ‘artistic and social hub’ linking the complex to the British Film Institute and National Theatre.
A floating venue designed to hold a 150-strong orchestra and a choir of up to 250 people with a small audience. It will also host corporate events
The ‘liner’ building
Between the Queen Elizabeth Hall and Waterloo Bridge, the glazed ‘liner’ building will provide space for educational, artistic and commercial cultural uses. Designed as a large flexible space, the flexible space will host a broader, year-round education programme for all age groups and abilities. The Saison Poetry Library will move from Level 5 in the Royal Festival Hall to join a literature and spoken word space in a new literature centre, and two new restaurants will overlook the river.
Undercrofts will be reclaimed for artistic and cultural uses; including a new venue for gigs, dance, cabaret, music and spoken word events and a space for young people.
Heritage and Archive Space
Occupying the undercoft, the public facility will explore the site’s history and include hands-on installations.
Designed for children and families, the undercroft facility will feature storytelling and interactive activities alongside exhibitions and a family restaurant. It will also be home to the childrens’ collection of the Poetry Library.
New public spaces include a square and two new roof gardens.
New riverside area for skateboarders, BMX and graffiti located under Hungerford Bridge and visible to the public from Queen’s Walk