The AJ can reveal 100 of the 1,715 designs submitted for the new Guggenheim museum in Helsinki
Every one of the Guggenheim submissions was published online this week, and a cross-section of the huge number of anonymous stage-one entries are showcased here.
The competition to mastermind the £100 million waterfront project officially became the most popular architectural contest in history last month, attracting more entries than the Grand Egyptian Museum at Giza contest, won by Heneghan Peng, which drew 1,557 submissions.
Competition organiser Malcolm Reading confirmed there had been ‘a very significant number’ of UK submissions for the 12,000m² museum in the Finnish capital.
UK-based practices known to have entered include Lynch Architects, Grimshaw, Adam Khan Architects and Mossessian & Partners. Dublin-based Heneghan Peng also entered.
Practices from 77 countries entered the open contest, with considerable interest also coming from the United States, Italy, Finland, France, and Japan.
The 11-member jury, led by Mark Wigley, dean of Columbia University’s Graduate School of Architecture, will meet early next month to review all the entries and select a six-strong shortlist - to be announced on 2 December. Finalists will have until March 2015 to make final submissions.
The winner, who will receive £79,000, will be named in June 2015. Five runners-up will each take home £43,000.
Comment from competition organiser Malcolm Reading
It’s been a wonder to have received the largest response of any architectural competition. The Guggenheim Foundation could have just gone for the world’s top 100 practices. But it wanted the competition to be accessible to younger architects and creative partnerships. So we designed a new model for this competition to appeal to both emerging and established practices, integrating US, UK and Finnish competition approaches, as well as complying with EU procurement guidelines.
While the design contest is a popular method in mainland Europe, it is less so in the UK and US. Therefore it is satisfying to see a good response from both of these countries.
It’s too early to establish a definitive pattern in the entries, but the work overall is incredibly wide ranging, from those who have taken a contextual approach to others who have created an iconic structure. The draw of the imaginative brief combined with the waterside site has clearly had a positive impact on the number of submissions.
The method is completely anonymous at the first stage - the jury will see all of the entries without knowing the source or whether it is an individual or office, new or established.
We expect the jury will take five days to get down to the six finalists. Under the procurement rules, the names of the finalists will be revealed but not the authorship of the individual schemes. To find this out we will all have to wait for the announcement of the winner in early June 2015.