Much of the backlash over Foster + Partners’ recent RIBA Stirling Prize win has focused on what, if anything, its Bloomberg HQ gives back to the City
Is it a ‘good neighbour’ which has generated new areas of public realm and created a subterranean museum dedicated to Mithras the bull-slayer? Or is it merely a billionaire’s vanity project and temple to corporate greed?
A Bloomberg security guard has enriched the debate over the building’s civic contribution by stopping architect Nathalie Baxter from taking photographs of Britain’s best new structure.
Baxter, on a visit to London to attend the prize-giving ceremony, said she was instructed to delete her snaps as they were ‘the property of Bloomberg’.
‘It makes you question the role of these buildings when they can’t be appreciated from a public footpath in a capital city,’ she remarked.
Postscript - statement from a Bloomberg spokesperson
‘This was a regrettable but isolated incident resulting from a security guard’s misinterpretation of our guidelines. We do not have a policy in place to restrict personal photography of the building’s exterior and have taken measures to ensure this does not happen again.’
Playing with the triangle
Museum of london annee triangle site bottom left
Has it really been more than two years since Stanton Williams and Asif Khan won the contest to design the Museum of London’s new home inside the historic Smithfield market complex? Yes, it has. Two years and three months to be exact.
It is understood the designs have been slowly chugging along and should finally be ready to submit early next year.
However when the application is lodged with the City of London, readers will note that a triangular site (the annexe/Red House building, pictured below) will not form part of the museum’s onward plans.
This will also come as news to the losing finalists – BIG, Caruso St John, Lacaton & Vassal and Sergison Bates among them – which all looked at incorporating the plot in their submissions (AJ 28.07.16).
Proposals for this building effectively made up around 25 per cent of the museum’s proposed footprint.
Instead, Astragal believes, Stanton Williams has been asked to look at alternative uses for the block – including potentially housing ‘a wide range of cultural organisations’. These options may be revealed before the end of the year.
Hopefully the actual cost of relocating the museum from the Barbican to Smithfield (the budget for the build was originally set at £150 million) will be made public soon too …
In a flurry over Florey
Florey building paulchapman
Queen’s College Oxford has denied rumours on social media that it is planning to sell James Stirling’s Grade II-listed Florey Building (pictured).
But it has also distanced itself from consented, but contentious, plans to extend the iconic university structure.
Reports surfaced on Twitter recently that the college was set to place the 1971 student residences on the open market.
Queen’s bursar Andrew Timms categorically and strenuously denied that a decision to sell had been made, but was less forthcoming when asked about Avanti Architects’ scheme to create an extra 25 rooms inside the Florey Building as well as a two-storey annexe.
Avanti won a competition for the job in early 2014 and gained planning permission for its proposals two years later.
But asked this month how the project was progressing, Timms said: ‘We have not begun work on that scheme and currently do not plan to do so.’
He refused to elaborate on his statement while Avanti declined to make any comment.
Not everyone will be upset if the scheme dies a quiet death. The proposals came under fire in 2016 from local architect Alan Berman, founding partner at Berman Guedes Stretton, as well as Stirling’s friend and former colleague Thomas Muirhead.
Ice, ice baby
Disruption shell scanlab
Bartlett graduates Matthew Shaw and William Trossell – founders of ScanLAB – have transformed the small screen with their stunning interactive visualisations in the BBC Invisible Cities series. But it appears the innovative duo also have an activist streak.
Earlier this month, the pair won an international ideas competition with a proposal to dump replica icebergs at the front doors of London’s 10 worst polluters. The winning scheme involves using frozen salt water to create 10 digitally fabricated scale replicas of ice floes from the Fram Strait area in North West of Svalbard. Pictured above is one at Canary Wharf.
The floes are based on ‘millimetre perfect’ data gathered by ScanLAB, Greenpeace and Cambridge university five years ago which featured in an exhibition at the Architectural Association Gallery.