Unsupported browser

For a better experience please update your browser to its latest version.

Your browser appears to have cookies disabled. For the best experience of this website, please enable cookies in your browser

We'll assume we have your consent to use cookies, for example so you won't need to log in each time you visit our site.
Learn more

'Foster's thinks grey is a colour'

'Foster's thinks grey is a colour' - an old jibe, but one which, perhaps, contained a grain of truth at a time when the work of the Foster office was heading towards refinement and attenuation at the expense of expressive drama. The results can be seen in a projects of the late 1980s and early 90s. By its nature, High-Tech architecture - the category in which Norman Foster's work used to be bracketed (to his irritation) - celebrated fine materials: steel and other metals, concrete and ...

Already a subscriber? Login here or activate your digital account