Alan Dunlop's comments
Despite their early setbacks, the variety hopefuls played the Glasgow Empire, with the bright and peppy act. Starting with a flourish as Phil dashed on-stage playing his clarinet. After a couple of minutes Ian's face peeked through the centre curtains with his trademark goofy leer. But on that fateful Fifties Friday, a shout from the audience famously reflected Glasgow's thoughts; "Christ - there's two of them!"
(b) I guess that's it all f~cked then
Thanks, I'm particularly pleased with the waves,
As you will know Robert, the current travel time from Campbeltown to Glasgow is a minimum of five hours , on a good day, often six. If the Rest and be Thankful is closed, you can add another 70 to 100 miles to the journey. However, if you extend the current A 83 and introduce smaller bridge crossings, short road extensions and tunnel connections, ( like an abridged Norwegian Coastal Highway, which involves an investment of £30bn in the country's infrastructure, crossing 20 fjords, some 600 metres deep, for 680 miles, in a country with a comparable population to Scotland) at Tarbert to Portvadie, then Tighnabruaich and Rhubodach to Colintraive onto Invercholain, then Dunoon across to the A78 then to central belt, journey time will be cut by a minimum of three hours and bypass the Rest and be Thankful.
The keynote address ended by calling on the UK, Scottish and Irish Governments to commission a serious feasibility study on both routes, that's where we are at present.
Beautiful watercolours, great to see. Very nice project. Reminds me of Utzon's Ahm house.
I've just read some of your other aj postings on architecture education Morag. It's clear if what you say is true that you have had a tough time and been treated unfairly.
However, I do not recognise most of your comments, particularly regarding the short shrift given to undergraduate students as a true representation and in my experience, as someone teaching at all levels and now running architecture units, the idea that you employ an architect to do your drawings and hand them in as your own, frankly rubbish.
I don't know where you studied but I suggest you take these issues up with that school, instead of painting all schools with the same tar brush.
No, they don't Morag. In my experience of 30 years involved in architecture and teaching, schools of architecture do everything possible not to fail a student. Every opportunity is given.
I'd also add that I am no admirer of Holl's Reid building and wrote for arq at the time of its completion, when it was being lauded by the governors of GSA
"Holl’s idea of “complimentary contrast” is curious, what does it mean? For him, it means that “you don’t want to do the same thing, if you want to respect someone; you do the opposite. You do something in contrast” In this respect, Holl has succeeded.
Mackintosh’s elegantly proportioned building details his development as a unique and talented architect over a twelve year period. Holl’s glass box seems too big for its site. It is uniformed in its elevational treatment and repetitive in its detail. Mackintosh’s art school, while functional, robust and clearly driven by the needs of students and influenced by the Arts and Crafts movement and the architecture of Japan, is firmly rooted in Glasgow and identifiably true to the materials of its construction.
But Holl's "cold glass refrigerator of a building" William J R Curtis, should not be the reason why we do not have a full and honest debate that should also consider a competition for a new building.
I don't believe I'm missing your point at all Robert, I just don't agree with you. A study of Mackintosh's writing, his lecture notes, Italy tour and his letters to his mentor Francis Newberry make his opinions and quest for innovation in architecture quite clear:
"All great and living architecture has been the direct expression of the needs and beliefs of man at the time of its creation, and how if we would have great architecture created this should still be so."
"A fundamental responsibility for architects was the task of clothing in grace and beauty the new forms and conditions that modern developments of life- social- commercial and religious insist upon"
Charles Rennie Mackintosh
Consequently, I do not believe he would support the notion of a replication, no matter the conductor.
John Byrne the renowned playwright, artist and one of the Mac's most famous alumni said today that school had “lost its soul”. " “I really don’t care if they rebuild it or not – the soul of the art school is completely gone, never to return.”
I agree, and have simply argued that the "spirit" of Mackintosh has also been lost. That also can never be replicated, nor restored.
"How absurd it is to see modern churches, theatres, banks, museums, exchanges, municipal buildings art galleries etc made in imitation of Greek temples."
Charles Rennie Mackintosh