From the Summary of teh 80 page planning report...."The Garden Bridge is a unique proposal for which there is no precedent to make comparisons against. It is very clear therefore that a very robust, comprehensive and responsive Operation and Management Plan is going to be needed to ensure the project is a successful one in terms of visitor experience and impact on neighbours" In other words a potential recipe for disaster
file for future reference - under what satisfies para 55
I have just spent an enjoyable couple of hours sifting through the Helsinki entries.They were a great source of good and bad graphic techniques, ideas to "borrow" without knowing the provenance and a chance to play name the architect. Though I'm pretty sure neither Sanaa nor Zaha entered, they both seemed to have spawned numerous poor imitations. The competition cannot be presented as a bit of fun. But, like Martin, it cannot be a serious way of finding an architect. The jury have much more to review and yet I still found 40+ worth making favourites and finally got down to a shortlist of 6. I probably skimmed through half and must have missed quite a few. However i look forward to seeing the results if only to see if any of mine get through. The Sydney Opera House was salvaged from the reject pile and Zaha's Peak, another competition with hundreds of entries, won though I doubt that the jury thought it was going to be built. Nevertheless both have played significant roles in advancing the art of architecture.
more a church than a restaurant?
Comment on: John Pardey reveals Lutyens inspired house
I have always liked John Pardey's houses, but can't get my head around the response to orientation here. It seems as though a Villa Savoyesque imagery has taken over. All but the largest face North west. Master bedroom faces North east. Kitchen faces North west, pantry located at key south west corner. Large terrace garden faces east and with no relief from closely packed GRC fins. Surely one of the lessons of Lutyens and Jekyll's work was The importance of the relationship between inside and outside and the importance of orientation?