rory olcayto's Comments
Matt, thank you for your in-depth take on all things Red Road. Fascinating.
not sure i follow your logic Urbanist. could you explain? cheers, rory
click on the link above that says, 'book your places now'
Comment on: Time for Serpentine Pavilion to back Brits
Thomas, that was the point of the pavilion, as I said in my editorial, above. But the rule has been broken - H&dM built the pavilion in 2012 even though they had already built in England (Tate, Laban) so....time to change the rules! Or just scrap it. That said, the Radic scheme has a lovely neo-Neolithic aesthetic!
Ahh John, you are right. He was living in suffolk when he was arrested under suspicion of being a spy. change has been made. Still the point stands!
Hello Sita: thank you for your question. We devised Kiosk for our partners Turkishceramics, although we have many similar programmes that engage with small firms. Recently we have produced charrettes in Glasgow and Birmingham with Philips and Argent, both for smaller firms. We are in the middle of our Small Projects coverage (which awards winners with a cash prize) and have just awarded and celebrated the best young female architects in the Women in Architecture Awards. It is also just a few months since we shortlisted young firms for the Future Reception competition with Derwent. We hope Kiosk will open a wider debate. At the Building Centre this week we have a crit with the mayor’s office, townscape expert Bob Tavenor and Thames Water (Daisy Froud of small (but growing practice) AOC is joining us too) and we are publishing a supplement exploring the designs and the wider public realm debate soon. An exhibition (also at the Building Centre), and designed by our art editor Brad Yendle begins on Friday. We hope you will come along. Of course AJ is dedicated to fostering young talent - it is our lifeblood too - but that shouldn't mean we don't engage with the proven best, like Zaha Hadid, Hopkins et al. PS. Studio Weave, part of the Kiosk programme, are what you might describe as a small practice too. We were delighted to be able to include them.
Hi Michael, happy new year... regardibng youir point: I think this sentence covers it: 'FAT’s buildings, like the writing, are witty, well-crafted and smart. ' cheers! rory
Comment on: A glance back to Glasgow's Winterschool
Cheers Jonathan! I think I've got a few snaps from back in the day...will try and dig therm out.
Comment on: The best project in King's Cross
and to link the two previous posts: what's even more depressing about glasgow and the publically owned george square is that the council is trrying to ban trade union rallies there... ps. nice piece on picketing michael.
Circle o' life Ruth. Circle of life.
Comment on: It's time to question the classic Corb backstory
thanks Michael. However you may want to think of the wider reasons why corb 'goes on' about the parthenon so much in Vers. By the time of its publication, geopolitics had shifted considerably, interest in Ottoman culture was dead, as was the role of Islam in the succssor state of Turkey. There was a firm belief in Turkey, and Western Europe, that there was nothing to learn from Islam anymore and the Turks themselves, under Ataturk, embraced European modernism wholeheartedly. Furthermore, Corb knew that making a link between ancient greece and european modernism was simply a more shrewd - and on message - PR skew. None of this however changes the fact that it was in Istanbul that Corb's theories first began to crystallise. HIs own quote regarding his observations ofmosques as essentially geometric machines ordering space and human movement is the proof. This should be part of what every first year student lears (if indeed we are to continue to shape young architects' minds by introducing them to the subject via Corb and co) Sadly, Euro-centric historians, like Curtis, brilliant though he is, refuse to fully engage with this, as evidenced by his lack of knowledge regarding Sinan (which he cheerfully confesses to) and his descriptions of Corb's tour in reverse, and you could argue, even referring to Turkey as Asia Minor. These may seem like minor (ahem) points, but if we're going to turn away from the overly simplistic architectural histories the trickle into books and lectures from Curtis's more thorough (although still euro-biased) texts, we have to begin to acknowledge them.
Comment on: Moving towards PRrchitecture
That feels like the perfect comment for this article - thanks Peter!
Michael. no. it's not. temur's great brick buildings are the best - in the universe! - and wouldn't fit with the carlsberg 'joke' i was so desperate to use either.
yes. its part of the building. why shouldn't we?
Comment on: 2011: The year of iconus horribilis
Ah yes, The Parametric Express...powered by faster-than-light neutrinos, which cause the train to arrive before it departs...nice. ps. glad to see that's the only point you dispute hugh!
Regarding comment Anonymous @ 19-Apr-2011 2:15 pm In case of any confusion that may arise from your comment: The drawings and photographs used to explain the residence are produced by the architect and the architct's photographer and have not been altered for publication.
To clarify: this building study was first published on 18th March 2010.
Comment on: McManus Galleries, Dundee, by Page\Park
i should make clear that justin fenton was project architect for mcmanus galleries and karen nugent was project architect for albert square.
alexander 'greek' thomson was on a £20 note issued by Clydesdale bank in 1999 to celebrate glasgow's reign as city of architecture and design....