Robert Wakeham's Comments
Comment on: Hyde + Hyde wins planning for Welsh home
Refreshing to see images that don't assume bright sun and cloudless skies.
Comment on: Historic England lists 21 inter-war pubs
Excellent news, and long may they flourish - I wonder if there's any progress with expediting the reconstruction of the scandalously flattened Carlton Tavern? This deserves maximum publicity, as a warning to others - in particular to citizens from elsewhere who maybe think that they can get away with enriching themselves at our expense, and as a cautionary tale to architects who should take care who they jump into bed with - and to a large contractor who seemingly doesn't check the legality of its demolition work.
I wonder if we've reached 'the point of no return' on the 'garden bridge'? Whether all the high profile participants - from Joanna Lumley through politicians, newspaper proprietors, nameless (?) financiers with deep pockets and various members of the design professions - are going to have to live with the consequences of their high-handed and anti-democratic imposition on us of this monumental bit of self indulgence. It'll be constructed at a time of drastic and sometimes very damaging cuts in public expenditure, but will rely on public finance to make it possible. There are some architects among the designers, and they must be very hungry for work to get involved in this most conceited and dishonest example of public-private partnerships.
The anticipated stepping down of Gordon Matheson from leading Glasgow City Council will hopefully clean the air, but it does remind me somewhat of the much hoped for departure of other controversial political leaders - for example, Ali Abdullah Saleh in Yemen, or Matheson's predecessor - Steven Purcell - which haven't turned out well for their fiefdoms.
Comment on: The Death and Life of the Architect
Perhaps, up there in Paradise, there's an EDIT button - and it'd be nice if it wasn't just for fixing comments to the AJ, if it could be used to edit buildings too.
Comment on: Tread softly for you tread on my dreams
I wonder, if the analytical skills of Suzi Hall were to be applied to the Hub 67 community centre in Hackney Wick (featured in this month's 'AJ Specification') what she'd have to say about that building? Composed 80% of materials and components recycled from the London Olympics, designed for a life of only 3-5 years, but having to comply with current construction regulations, this building apparently cost more than a new-build. Admittedly this was a pilot project, but 'writing a watertight specification which transferred the risk of the many unknowns involved in re-use to the contractor' rings warning bells here in Scotland, where the same risk averse philosophy turned the construction of the Edinburgh tram system into a financial and programming disaster area. There must surely be some hard thinking to work out how best to maximise re-use of redundant building fabric - and hopefully Hub 67 will be in use for much more than 3-5 years, or will be capable of economical re-use elsewhere.
The image suggests a pool rather more than 5m wide, but even so I'd like to know just how such a large glass floor is fabricated, and presumably jointed.
The apartment building appears to rise about nine storeys above the High Line, so the 'silver metallic fabric' is hopefully up to the job of arresting the progress of a dropped monkey wrench or whatever.
Perhaps, if architects competing for the chance to design 'iconic' buildings were at risk of diminished fees in the event of inflated costs due to contempt for the budget it would concentrate minds. But surely the competition assessors should be keeping a sharper watch on the credibility of both the budget and the design's predicted construction costs?
If there are 'several disused development sites' close to Washington Park would it be really essential for the new library to occupy part of the park, or did Olmsted allow for large buildings to be inserted in it?
Comment on: Historic England on hunt for best post-war pubs
Watch it doesn't get flattened by a spiv property company while the landlady's out.
Beam me up, Scotty.
This could inspire endless ideas - if Buck House sits empty for great portions of the year it could be given over to cross-channel refugees, with a tented encampment in the Gardens.
Comment on: Jestico + Whiles' Edinburgh hotel wins go-ahead
How about the bronze colour? the image is presumably of the building just after the protective film has been peeled off the cladding, but it surely won't stay like that unless there's a full time bronze polisher, and the 'end product' will be much darker.
Government by knee-jerk.
In this age of increasing concern for 'sustainability' in the built environment (even if challenged by the recent antics of George Osborne) surely there's also the need to question the demolition of modern buildings on the 'sustainability' principle - unless their materials and components can genuinely be recycled.
Comment on: Fighting the preservationists
I suppose it's all a matter of taste - I wonder if the brick choice for the new British Library really would have been different if Sandy Wilson had known for sure that St Pancras Chambers would survive? - architects are surely often in the habit of trying to 'fit in' with prominent neighbours (as described in the main feature in the brick magazine recently distributed with the AJ). I wonder if, in the case of the Blossom Street proposals, 'good architects' were seemingly unable to achieve the impossible, given the commercial pressures on their clients? The contrast of new juxtaposed with old in the last three images heading the architects' joint letter to the AJ today says it all. As for Tracy Emin's house - it's the artist who's intriguing; her proposed house is definitely not.
The images aren't labelled, but what is clear is the way in which the existing buildings are predominantly of human scale and have a variety, and richness, of detail that's absent in the new proposals - and all the brick in the world wouldn't make up for this. The architects are just reflecting the commercial pressure of their clients, the step-change in type of use and the drive to maximise floor area - but, whatever the skills of the architects, the result would be 'banalisation', and only in a febrile culture of 'onwards & upwards' could conservation be interpreted by some as a dirty word. . There's a built example of this not that far away, on the corner of Clerkenwell Road and Turnmill Street, where brick (deemed so beautiful that it recently occupied pride of place in a brick manufacturer's magazine distributed with the AJ) forms the character of a smart office development replacing a lower building, originally a multi-storey stable for the Great Northern Railway Company. The trouble is, the old stables had far more visual interest, and character (particularly at street level) than the new building - despite being of what looked like stock London brick. Apparently Islington wanted to see the old building retained, but the developer and their architect prevailed - managing to add another couple of floors - on the condition that 'the new building would make a more positive contribution than the old building in architectural and material terms'. Aye, right - there but for the grace of God goes Spitalfields.
Both Will Jennings and Chris Medland are clear about the objectionable aspects of this project - aspects that some well respected personalities in the architectural world seem oddly incapable of comprehending. This is not so much a revolutionary piece of pioneering design as an eccentric imposition on the river that - in times past - would have been built across someone's ornamental lake in their private demesne, and might (or might not) have come to attract public admiration as a curiosity, a folly.
Comment on: Maki's UK debut set for green light
Brilliant white limestone - in central London? - and what have they done to the windows?