Investigating space and surfaces
Visitors to the Henry Moore Institute at Leeds in summer 1996 were subtly disorientated. They found the ground-floor galleries, three adjacent rooms, entirely colonised by a white-walled construction of small interlinked chambers, sporadically toplit. There was the strong suggestion of a labyrinth, but a labyrinth without a centre, for as you made your way from room to room - either beckoned by the light or drawn instead to dimmer recesses - you had continual choices of route but never ...
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