Architects Journal
Felix Mara
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Frozen Poetry
30-Jun-2011
The Courtauld Institute’s conference on architecture and poetry is symptomatic of a new direction in practice -
Rothschild Foundation, Windmill Hill. Aylesbury, by Stephen Marshall Architects
30-Jun-2011
Stephen Marshall Architects’ ranch-like archive for the Rothschild Foundation takes its cue from its rural setting and excels at craftsmanship. Photography by Richard Bryant -
Evelyn Grace Academy, Brixton, south London, by Zaha Hadid Architects
4-Nov-2010
[TECHNICAL & PRACTICE] Zaha Hadid’s Evelyn Grace Academy in Brixton survived a highly managed design and procurement framework, discovers Felix Mara -
Restoration of Strawberry Hill, Twickenham, by Peter Inskip + Peter Jenkins Architects
28-Oct-2010
Peter Inskip + Peter Jenkins Architects’ restoration of Strawberry Hill is as affectionate as it is remarkable, writes Felix Mara. Photography by Ben Blossom -
Maxxi by Zaha Hadid Architects
30-Sep-2010
[STIRLING SHORTLIST 2010 IN DETAIL]: Zaha Hadid architects challenge the expectations of art museums with a formal dynamism of intertwined spaces -
The decade in detail
23-Dec-2009
Recent British architecture is notable for its finesse in detailed design, writes Felix Mara -
CAD: Point Cloud technology
18-Nov-2009
Using point cloud readings, it is possible to include 3D-scans in CAD models -
Bridgewater Bridge, Stoke-on-Trent by NORD Architecture
5-Nov-2009
Structural design and architectural expression synthesise in NORD Architecture’s Bridgewater Bridge, writes Felix Mara -
Ashmolean Museum of Art and Archaeology, Oxford by Rick Mather
5-Nov-2009
Rick Mather gives Felix Mara a tour of his refurbished, expanded and well-articulated museum. Photography by Richard Bryant -
New aluminium technology from Heatherwick Studio
22-Oct-2009
Technology and Practice: Aluminium fabrication. Heatherwick Studio has pioneered aluminium technology to produce the world’s first extruded single-component furniture -
One New Change: St Paul's Grid
2-Oct-2009
The St Paul’s grid generates the geometry of Jean Nouvel’s One New Change
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